Disquiet, Please RSS

Alvaro de Campos, solemn investigator of useless things, at your service. These are the musings of Fernando Pessoa, a possible figment of my imagination. Or the other way around. With musical interludes.

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Aug
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[…] How many we are! How many of us fool ourselves! What seas crash in us, in the night when we exist, along the beaches that we feel ourselves to be, inundated by emotion! All that was lost, all that should have being sought, all that was obtained and fulfilled by mistake, all that we loved and lost and then, after losing it and loving it for having lost it, realize we never loved; all that we believed we were thinking when we were feeling; all the memories we took for emotions; and the entire ocean, noisy and cool, rolling in from the depths of the vast night to ripple over the beach, during my nocturnal walk to the seashore…

from Text 95, The Book of Disquiet | Bernardo Soares (Fernando Pessoa)  

invisiblestories

Jul
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fernando pessoa’s notebook

fernando pessoa’s notebook

Jun
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i12bent:

Fernando Pessoa, the great Portuguese Modernist, who invented multiple poetic personae, was born June 13, 1888 (d. 1935)…
Fernando Pessoa:
I don’t know how many souls I have.I’ve changed at every moment.I always feel like a stranger.I’ve never seen or found myself.From being so much, I have only soul.A man who has soul has no calm.A man who sees is just what he sees.A man who feels is not who he is.Attentive to what I am and see,I become them and stop being I.Each of my dreams and each desireBelongs to whoever had it, not me.I am my own landscape,I watch myself journey -Various, mobile, and alone. Here where I am I can’t feel myself.That’s why I read, as a stranger,My being as if it were pages.Not knowing what will comeAnd forgetting what has passed,I note in the margin of my reading What I thought I felt. Rereading, I wonder: “Was that me?”God knows, because he wrote it. © Translation: 1998, Richard ZenithFrom: Fernando Pessoa & Co. – Selected PoemsPublisher: Grove Press, New York, 1998

i12bent:

Fernando Pessoa, the great Portuguese Modernist, who invented multiple poetic personae, was born June 13, 1888 (d. 1935)…

Fernando Pessoa:

I don’t know how many souls I have.
I’ve changed at every moment.
I always feel like a stranger.
I’ve never seen or found myself.
From being so much, I have only soul.
A man who has soul has no calm.
A man who sees is just what he sees.
A man who feels is not who he is.

Attentive to what I am and see,
I become them and stop being I.
Each of my dreams and each desire
Belongs to whoever had it, not me.
I am my own landscape,
I watch myself journey -
Various, mobile, and alone.
Here where I am I can’t feel myself.

That’s why I read, as a stranger,
My being as if it were pages.
Not knowing what will come
And forgetting what has passed,
I note in the margin of my reading
What I thought I felt.
Rereading, I wonder: “Was that me?”
God knows, because he wrote it.

© Translation: 1998, Richard Zenith
From: Fernando Pessoa & Co. – Selected Poems
Publisher: Grove Press, New York, 1998

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milkyfangs:

yama-bato: ontheborderland:
Nothing holds me to anything.I want fifty things at once.With a meat-hungry anguish I yearnFor what I don’t know —Definitely for the indefinite …Restless I sleep and live in the restless dreamOf someone who sleeps restlessly, half of me dreaming.They closed all the abstract and necessary doors on me.They drew the curtains on all the hypotheses I might have seen on the street.There is no house on the side street with the number they gave me.I woke to the same life I departed after sleeping.Even my dream armies suffered defeat.Even my dreams felt false as I dreamed them.Even the life I only desire — even that life — cloys …
—Fernando Pessoa
(Image via gevan)

milkyfangs:

yama-bato: ontheborderland:

Nothing holds me to anything.
I want fifty things at once.
With a meat-hungry anguish I yearn
For what I don’t know —
Definitely for the indefinite …
Restless I sleep and live in the restless dream
Of someone who sleeps restlessly, half of me dreaming.

They closed all the abstract and necessary doors on me.
They drew the curtains on all the hypotheses I might have seen on the street.
There is no house on the side street with the number they gave me.

I woke to the same life I departed after sleeping.
Even my dream armies suffered defeat.
Even my dreams felt false as I dreamed them.
Even the life I only desire — even that life — cloys …

—Fernando Pessoa

(Image via gevan)

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i12bent:

Symbols? I’m sick of symbols…Some people tell me that everything is symbols.They’re telling me nothing.What symbols? Dreams…Let the sun be a symbol, fine…Let the moon be a symbol, fine…Let the earth be a symbol, fine…But who notices the sun except when the rain stopsAnd it breaks through the clouds and points behind its backTo the blue of the sky?And who notices the moon except to admireNot it but the beautiful light it radiates?And who notices the very earth we tread?We say earth and think of fields, trees and hills,Unwittingly diminishing it,For the sea is also earth.Okay, let all of this be symbols.But what’s the symbol – not the sun, not the moon, not the earth –In this premature sunset amidst the fading blueWith the sun caught in expiring tatters of cloudsAnd the moon already mystically present at the other end of the skyAs the last remnant of daylightGilds the head of the seamstress who hesitates at the cornerWhere she used to linger (she lives nearby) with the boyfriend who left her?Symbols? I don’t want symbols.All I want – poor frail and forlorn creature! –Is for the boyfriend to go back to the seamstress.— Fernando Pessoa, as Alvaro de Campos

i12bent:

Symbols? I’m sick of symbols…
Some people tell me that everything is symbols.
They’re telling me nothing.

What symbols? Dreams…
Let the sun be a symbol, fine…
Let the moon be a symbol, fine…
Let the earth be a symbol, fine…
But who notices the sun except when the rain stops
And it breaks through the clouds and points behind its back
To the blue of the sky?
And who notices the moon except to admire
Not it but the beautiful light it radiates?
And who notices the very earth we tread?
We say earth and think of fields, trees and hills,
Unwittingly diminishing it,
For the sea is also earth.

Okay, let all of this be symbols.
But what’s the symbol – not the sun, not the moon, not the earth –
In this premature sunset amidst the fading blue
With the sun caught in expiring tatters of clouds
And the moon already mystically present at the other end of the sky
As the last remnant of daylight
Gilds the head of the seamstress who hesitates at the corner
Where she used to linger (she lives nearby) with the boyfriend who left her?
Symbols? I don’t want symbols.
All I want – poor frail and forlorn creature! –
Is for the boyfriend to go back to the seamstress.

— Fernando Pessoa, as Alvaro de Campos

May
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Fernando Pessoa’s manuscriptvia: Biblioteca Nacional de Portugal

Fernando Pessoa’s manuscript
via: Biblioteca Nacional de Portugal

Mar
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If our life were an eternal standing by the window, if we could remain there for ever, like hovering smoke, with the same moment of twilight forever painting the curve of the hills… If we could remain that way for beyond for ever! If at least on this side of the impossible we could thus continue, without committing an action, without our pallid lips sinning another word!

Look how it’s getting dark!… The positive quietude of everything fills me with rage, with something that’s a bitterness in the air I breathe. My soul aches… A slow wisp of smoke rises and dissipates in the distance… A restless tedium makes me think no more of you…

All so superfluous! We and the world and the mystery of both.

Fernando Pessoa, The Book of Disquiet (trans. Richard Zenith)

(via invisiblestories)

Jan
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The dreamer’s superiority is due to the fact that dreaming is much more practical than living, and the dreamer gets far greater and more varied pleasure out of life than the man of action. In other and plainer words, the dreamer is the true man of action.
— Fernando Pessoa, The Book of Disquiet (via invisiblestories)
Sep
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